Nov
16
Chance the Rapper
With D.R.A.M., Towkio and Metro Boomin
Southside Ballroom, Dallas
Friday, November 13, 2015
Chance the Rapper is arguably the most charming act in hip-hop going right now. His optimistic and playful catalog of music resonates the same with children as it does with teenagers and adults. His infectious smile elicits reciprocation, makes teenage girls swoon and would undoubtedly have your grandmother calling him a nice boy. He’s a prince in his hometown of Chicago, as evidenced by his theatrical, over-the-top headlining set at last summer’s Pitchfork Festival in said city.
He’s also one of the smartest acts going right now. The 22-year-old has released three music projects to the Internet for free and, according to him, he has no plans to ever put a price tag on his music. With his music so easily accessible, it’s no surprise that he’s been able to amass a huge cult following since the release of 2013’s Acid Rap mixtape, which garnered universal acclaim and launched Chance into being the underground star he is today.
He’s been busy getting the word out, though. Instead of generating revenue from his music releases, Chance has taken on a grueling touring schedule the past couple of years. Two years ago, opening for Mac Miller, Chance performed one of his first live shows in front of a sold-out South Side Ballroom audience. Since then he’s performed in the city several more times, with the crowd swelling on each occasion including stops at Trees, headlining JMBLYA and a performance on SMU’s campus.
Friday night, Chance’s touring came full circle with a sold-out headlining set of his own at the South Side Ballroom for his Family Matters tour. As the stage lights rose and the Social Experiment hit the opening notes to “Everybody’s Something,” Chance launched into the song with his full energy. The crowd followed suit and sang back the heartfelt chorus. Without hesitation, Chance jumped right into “Pusha Man” and “Smoke Again” back to back. After the tracks were over and he’d juked his way across the stage several times over, he had to take a moment to collect his thoughts and introduce himself—something he’d even forgotten to do two years ago the first time he played the Ballroom and almost did again.
It’s hard to blame him, though. Energy is one of the those descriptors that gets tossed around when describing a concert, but for Chance that concept is the catalyst for his shows. It’s present in his music, which typically describes some optimistic, joyful theme, as heard in his famous rendition of the Arthur theme song or his newest song, “Angels.” Between songs, he constantly let out little ad-libs that the crowd barked back just to keep the energy up. His energy is the reason he’s a amassed such a huge following and continues to grow. His shows are a spectacle.
This all rings true when you consider that he hasn’t released much new music since the first time he performed at the Ballroom. A bulk of the material Chance performed through his roughly 90-minute set came from Acid Rap and that’s the material which received the greatest reactions from the crowd. Tracks that’s he’s been featured on recently were sprinkled into the set, such as “Baby Blue” and tracks from his latest collaborative release, Surf, with the Social Experiment, who are his backing band on tour. Older material from his 10 Day mixtape were fairly received but nothing compared to his Acid Rap work.
Once he does release more new work, which seems to be on the way soon, it will be exciting to see how much more the Chicago rapper can grow because, while he’s proven that he can be an underground star producing outlier hip-hop music that’s heavy on soul and jazz instrumentation, he hasn’t received the radio attention that one of his openers, Metro Boomin, has attracted. While he’s only a producer and DJ, the Atlanta resident is nearly single-handedly shaping the current sound of hip-hop, producing hits for Drake, Future, Young Thug, Migos and more.
The back-to-back lineup of Metro Boomin and Chance the Rapper was an interesting dichotomy. It’s clear to see that there’s room for demographics like the crowd on Friday night to enjoy popular trap and soulful stylings, and it would be great to see Chance catch on with radio stations and mainstream audiences as his ascension continues, which according to this concert shows no signs of slowing.
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